Bun is a tad…well, mad. Forced out of professional detectiveing, he answers the call of Ho (Andy On), a younger detective out-of-luck in a case involving the disappearance of a police officer 18 months previous, and puts his thinking ear on to aid the detective now in possession of his old police pistol.
But as previously stated: Bun is mad. Claiming to see people’s
inner-selves, he will see multiple personalities in individuals to our one, and
is ‘aided’ by his wife, who left him many moons ago. It’s not long before Ho
realises his mistake and sees why he was kicked-out of the police originally,
despite his knack for solving crimes involving suitcases.
Starting off with comedic moments – with multiple personalities
visiting the little boys’ room together at once – the film becomes more tense
as it progresses towards the climax, as everyone’s inner-self is revealed and
the truth uncovered.
Lau Ching Wan does a good job in the lead role, as do the make-up department
in making his hair just messy enough to create the illusion of madness and
Johnnie To and collaborator Wai Ka Fai shows he can make a film a little different from his norm, with some
nice camerawork for an ‘Enter the Dragon’ like ending.
Kitano’s ‘Violent Cop’, To’s ‘Mad Detective’, I am now left to watch
William Lustig’s undoubted 1988 classic ‘Maniac Cop’.