Monday 20 October 2014

Night Bus (58th BFI London Film Festival Part V)

'Night Bus' as a concept works: top marks for that. A random collection of discussions that take place one Friday night, connected only by the fact that all the participants are on the fictional N39 to Leytonstone. But, the longer the film goes on, the less the idea appeals to me, and by the end I was rather disappointed.

Writer-director Simon Baker makes his debut with 'Night Bus', a film that tries to show the diverse worlds  that all come together on a London night bus. This is, of course, the case: all warps of life can be on the bus after hours, and most are included here. I couple discuss an incredibly middle class night out, drunk City boys argue among themselves, youths play their mobile phones for all that don't want to hear, young couples venture home after a night out...you've been on a night bus and you've been annoyed by them all.


For observation, 'Night Bus' probably scores highly in drawing together the type of rubbish you hear on a night out. But billed as a comedy, this only provides titters rather than laughs; minor skirmishes rather than drama. 'Night Bus' lacks in some areas for me.

To start, the idea maybe isn't very original. The comment was made that it's a bit like watching an episode of 'The Chicken Shop' on Channel 4, or their more recent work of magic about a night club toilet in Crawley. Filming the various conversations in a forced situation has been done, many times, even on a bus if you include Spike Lee's 'Get on the Bus', and so you don't particularly feel that anything new is being done here.

There's a lack of any glue holding everything together here. One might say that the bus plays this role, but I wouldn't. The bus driver also fails to fill this void, not being directly connected to many of the main protagonists. It, therefore, just feels like a series of conversations, rather than, ironically, a journey. This could be ten hours or ten minutes, the conclusions reached would be the same.


The conclusion is also quite weak. The lone foreign girl who gets on the back of the bus, arguing on her phone with her boyfriend, suddenly pipes up in English, summing up Londoners in a monologue that offers little more than the theme tune to 'Auf Wiedersehen, Pet'.

There are some moments, some good bits of dialogue and some social comment, but 'Night Bus' could probably have been a fifteen minute short that you stumble across drunk when you switch Channel 4 on at 4AM after a night out. At which point you will have probably seen it all before.

No comments:

Post a Comment