Here be some of the moving images that I saw in 2017 that were newly made and released. It's fair to say 2017 was no vintage wine. Largely because a year is a metaphysical concept that cannot be a wine...or even a decent Cheddar.
But these are the ones that I thought best of these there twelve months...or so...
Always remember: Opinions can vary.
In some sort of order, starting with...
Bamseom Pirates Seoul Inferno
Director: Yoon-suk Jung
South Korea
Documentary look at punk duo Bamseom Pirates and their album "Seoul Inferno" - as the title suggests. Music, larking about, "political" lyrics, court cases, questioning of their motivations musically...An at times comedic, at times serious political look at South Korean youth and their "relationship" with their neighbours in the North.
The Death of Stalin
Director: Armando Iannucci
UK/France
Iannucci-san and friends take their political comedy away from modern-day UK/US politics to Twentieth Century Russian naughtiness following the demise of some famous figure. Joshing and bants galore alongside the dark side of politics to make one laugh and consider.
Vegalta: Soccer, Tsunami and the Hope of a Nation
Director: Douglas Hurcombe and Geoff Trodd
UK
Combining two of my great passions: Japanese culture and Gary Lineker; alongside one of my loathes: mass death caused by a natural disaster, "Vegalta" takes its name from the Sendai football team who rose up the J-League standings in the wake of the 2011 Tohoku Earthquake. Fans and local residents affected take a look at how the team's success gave them some brief hope after such a huge loss.
Noise
Director: Yusaku Matsumoto
Japan
First time director takes a look at youth and motivation in the backdrop of the Akihabara Massacre of 2008. Generational differences create pressures on the youth of the day, creating the potential for a snap-point. Noisy and bleak, "Noise" offers a voice to the little man.
Junk Head
Director: Takahide Hori
Japan
Stop-go. Stop-go. That old animation technique is making a comeback. Don't take the plot too seriously with this one; more enjoy the ride around as a human's mind is transplanted into a mishmash robot hopelessly wandering the strange underworld of botched clones. Inventive, if a little mad, this one feels straight out of the Nineties.
Love and Other Cults
Director: Eiji Uchida
Japan
Uchida-san's second collaboration with the good folk at Third Window Films. Ai is well mental a one and gets herself caught up in all kinds of wacky cults, gangs, sex scams, nuclear families in an attempt to find herself. The message is: slowing down a bit is a good way to help you find a bit of peace of mind...and then you get off the bus.
...and those from 2016 with delayed release in the UK that I pretended to first view in 2017...
After the Storm
Director: Kore-eda Hirokazu
Japan
Kore-eda-san's annual festival tourist delivers a nice enough journey about a private detective unable to leave his ex-wife behind. Perhaps a little too comfortable, but with enough realism to keep you interested, this maintains Kore-eda's position as the better Japan person director still churning 'em out with regularity.
Kills on Wheels
Director: Atilla Till
Hungary
Three disabled killers fool Budapest's drug dealers with their unassuming status, though the English title gives little away as to the additional depth offered below the surface. A coming-of-age piece more than a violent action thriller.
Harmonium
Director: Koji Fukada
Japan
Tadanobu Asano playing some sort of strange person moving into a family home and invading every aspect of their lives with some sort of sinister motive? Can you come round next Tuesday, Asano-san? You can't escape it, can you?! Nice film...but not nice in that way.
The Long Excuse
Director: Miwa Nishikawa
Japan
Sachio's wife's death in a car crash unveils the car crash that is his life in Miwa Nishikawa's well-paced and developed film. It gets inside its characters' heads, as one would hope a film would do. As your life gets worse, so will your hair.
Destruction Babies
Director: Tetsuya Mariko
Japan
Remember little Akira from "Nobody Knows"? Well, he's grown-up now and likes hitting people in the face. A film that will perhaps annoy many, the realism in the fighting and harsh comment on the surrounding violence of society leaves its mark at least. That Yuya character deserves a slap, hey?!
That makes a nice round total of 11...A football team of films...in the way that Luton Town are scoring lots of goals in the fourth tier of English football...
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