Showing posts with label Kyoto. Show all posts
Showing posts with label Kyoto. Show all posts

Wednesday, 10 May 2017

Photos of People Fishing in Japan

As you may know, Japan is a collection of islands; a bit like the Channel Islands, minus Bergerac. 

As a result, Japan has large collections of water surrounding it. And in water one will find fish (unless it's cod in the North Sea you're looking for).

Here be a collection of photos from Japan's islands of people employing various tactics to lure sea creatures to their collecting implements.


Kamo River, Kyoto. September 2008.

Casual midday types. 



Ichigaya Fish Center, Tokyo. March 2011.

Hardcore urban fishing.



Manzamo, Okinawa. April 2012.

What's he up to? He's fishing. 




Nagasaki. April, 2012.

Lonesome fish. 



Kawaguichiko. May, 2012.

Get in-volved fishing.


Silhouette fishing.



Nikko. May, 2012.

White water fishing.



Niigata. June,2012.

Rock and chips.




Kabira Bay, Ishigaki. May, 2015.

Fishing hat.


Fishing box.



Sukuji Beach, Ishigaki. May, 2015.

Fishing carrier bag.



West Pier, Taketomijima. May, 2015.



Always end with a penguin in a shop window (Akihabara, Tokyo. September 2008).


Thursday, 19 January 2017

19 Photos of Japan that I done took...

What follows here be some photos that I have clicked using my fingers of that there Japanese land.

Favourites, some might say...if I could genuinely be arsed to look through each and every one that I have done took... 

Tsutenkaku, Osaka. 15/09/2008.
Battery power failing, I resorted to below standard camera phone usage for this rather cinematic effect.



Konbini, Yotsuya, Tokyo. 12/03/2011.

After the quake...I can't remember the exact one.




Yoyogi Park, Tokyo. 08/04/2012.
Hanami...with dogs.




Nagoyajo, Nagoya. 11/04/2012.
Cherry blossoms mit rain. It's like something from 'Hana-bi' or such. How romantic?!




Fushimi Inari-Taisha, Kyoto. 13/04/2012.
A photo I very much got right.




Gion, Kyoto. 14/04/2012.
Raise the red lantern...and have a beer.




A Bomb Dome, Hiroshima. 16/04/2012.




Kawaguchi-ko. 07/05/2012.
Fuji-san at dawn.




Hataagebenzaitensha, Kamakura. 12/05/2012.
Raise your flag.





Yokohama International Port Terminal, Yokohama. 12/05/2012.
Anglely...and moody...like a desk lamp...




Ajinomoto Stadium, Tokyo. 13/05/2012.
Tokyo Verdy 0 - 1 Fagiano Okayama. Boo...




Noshappu Cape, Wakkanai. 30/05/2012.
Vintage. Very, very vintage.




Cape Soya, Wakkanai. 31/05/2012.
She left.




Daisetsuzan, Asahikawa. 02/06/2012.
Obligatory holiday tour group photo.




Parent-Child Tree, Biei. 03/06/2012.
Self-explanatory.




Kabira Bay, Ishigaki. 18/05/2015.
One of many photos I have of random Japanese men fishing...it's my thing...I sleep with the fishes...




Taketomijima. 19/05/2015.
Riding a bike is quicker than walking.




Izakaya, Osaka. 21/05/2015.
Izakaya-style...Tinned sardines, please.




Daimon Gate, Koyasan. 22/05/2015.
Big, in'it?!



Sunday, 31 January 2016

Grand Form - P&M Remix (Punch and Mighty Feat TAKE-T)

First video for a while. Punch and Might's P&M Remix of 'Grand Form' featuring TAKE-T (incorporating Crooklyn Dodgers' 'Crooklyn') to some lovely honeymoon snaps from Kansai, Ryukyu and beyond (i.e. Kyoto, Kinosaki, Naha, Motobu, Ishigaki, Taketomijima, Osaka, Koyasan)...

Friday, 14 September 2012

Samsara

Being the photo arsehole that I am, enjoying pictures at jaunty angles, my girlfriend bought me the remastered version of the 1992 film ‘Baraka’. Featuring some of the world’s beauty spots, and America, as well as (in)famous religious and political landscapes, the film is a documentary-like collection of lingering shots and sped-up scenes of the world as it rotates.

Remastered, the shots look stunning, despite being originally released at the same time as ‘Home Alone 2: Lost in New York’, and is a feast for the eye and mind. Twenty years on, ‘Samsara’ (Sanskrit for ‘to flow on’) is a follow up piece, shot by director Ron Fricke.

Again, probably shot over a number of years in a number of different countries and locations, ‘Samsara’ is very much more of the same from where ‘Baraka’ left off. Similar shots of a sped-up night sky over desert rocks are used, as well as various different religious figures going about their daily business. Having watched ‘Baraka’ only days before seeing it, you can wonder what the need for ‘Samsara’ is.

But while ‘Baraka’ focuses mainly on landscapes and geographic elements, its successor looks much more to human geography and images of modern humanity. This is probably where the film lacks a little, as shots of tattooed-up, LA gangbangers, the dancing Filipino prisoners of Cebu Provincial Detention and Rehabilitation Center (CPDRC) or the Ladyboys of Bangkok are neither new nor particularly that interesting. Rather than capturing people in more natural states in ‘Baraka’, here it feels like there are too many staged dance routines, performance art and a slightly forced image of a geisha sheading a single tear.

There is still room for the juxtapositions of those in one part of the world creating a vice for those in another: those in South America making the cigarettes for those in Japan to smoke becomes Chinese and Danish factory farming feeding obese Americans. Again though, these are not particularly new concepts or ideas – a difficulty when shooting a film over a number of years. Images of Chinese factories seem almost purely recycled from 2007’s ‘Manufactured Landscapes’ and only add to a sense of ‘it’s been done.’

But having said that, while ‘Samsara’ is no longer as original as what has come before it, it is still a good cinematic experience to see some of the more interesting spots on the planet shot from increasingly jaunty angles, and show that to make a film look superior all you need is good cinematography and some creativity…though I do still feel that my camerawork at Fushimi Inari Shrine in Kyoto is much better, as does everybody else.

Friday, 20 April 2012

Moving West on Honshu


So, after the meteorological ups and downs of Okinawa, I headed back to Tokyo for another long weekend, though this time not alone. Sharing a room in Akasaka with, let’s say, an acquaintance, what followed were a couple of nights and days of drinking, eating, more drinking, football debate and more drinking.

This led to me discovering my new hero in a jazz bar in Akasaka, who was good enough to give me a terrible free CD, as well as unearthing the delightfully-named ‘The Aldgate’ pub in Shibuya, allowing us to see the first of Ashley Young’s recent dives against QPR. Sightseeing for the Nihon newbie was had, with the main spots on the Yamanote Line ticked off.

Ginza
But, time waits for no man, and I wait for the Shinkansen; to Nagoya, to be exact: The city where Gary Linker played the best football of his career. The first day of my stop brought with it glorious weather, which for good for the long walk to my hotel, which looked short on paper, longer on foot. With the sun bright, I ventured out to find a LAN cable, finding a host of interesting structures and a Ferris Wheel attached to a shop. I also located the excellent Banana Records, which I could have spent hours in, leading me to take a punt on two CDs that I had never heard of, but the price was right and they looked good to me. Plus, there was a Kentaro track on one of them.

Nagoya
Rain has been a continual theme on this trip, and Nagoya has seen the worst yet. It was raining when I woke up, but I decided to push on to Nagoya Castle anyway, as it wasn’t too far, so shouldn’t prove too bad. But the further I walked, the worse the rain became, and I was soon become wet through. The Castle and the Noh Theatre done, I tried to find the Toyota Commemorative Museum of Industry and Technology, but soon signs for it disappeared and I soon found myself lost with the rain continuing to get harder and harder. Eventually, I found my way back to the hotel, but I was soaked through, my bag and its contents affected and my mp3 player now likely to cause epilepsy. The rain continued, and so I was hotel-bound, left to do my laundry, unable to see any more of the city.

Drowned out in Nagoya
After the car crash of my second day in Nagoya, I went straight into a car crash in Kyoto: a genuine – not metaphorical – one. Off the subway, my route to my ryokan was blocked by crowds, as police drew chalk lines around a front bumper, a single trainer, a hat and a bag. Didn’t look like it ended well for some poor sod.

The crowds passed, I made my way through the sakura celebrations of Muruyama Park, following the excellently-written instructions on their website (found here) to try and find the Yoshimizu Inn. Feeling like I was wandering aimlessly up into the mountains, I found a girl arranging umbrellas randomly, who seemed eager for me to walk her way. Turns out, she works at Yoshimizu Inn and was working on her Rihanna routine for ‘Stars in their Eyes’. 

Yoshimizu Inn
For the first time in my life, my room was the one on the website. I felt like royalty. Not a fully traditional ryokan, but a nice one nonetheless, allowing me futons to arrange on tatami mats and a Japanese bath to use at my leisure, but only between 17:30 and 23:30. And only shower between 07:00 and 09:00 in the morning. And there’s only an hour for breakfast. Like a proper B’n’B.

Gion
In the city itself, as I had spent some time here before, I had done most of the tourist things around Gion. I, therefore, chose to explore some of the parts I had not been to before. I started at Kinkauji, but found it a little disappointing: not as good as all the photos you see in the books and far too many people there to make it seem anywhere near tranquil.  From there, I went to Fushimi Inari Taisha. Now this is a place that exceeds expectation. I knew that there was an impressive row of tori to see there, but I expected about one or two hundred metres worth. What I found was a continuous path that led up into the mountains to the point where you were stuck in a maze of tori with no idea as to which way the exit was. Eventually, I found a woman working the path who pointed me in the right direction. But the endless tori are not the most amazing thing here: it’s how they got all those vending machines up there! I then went due north west to Arashiyama, where I had been before, but liked so went back. Though the inevitable rain cut that trip short.

Fushimi Inari Taisha
The rain continued throughout the next day, so I changed plans, having a museum day (except for the Manga Museum due to a cosplay event which I chose to avoid). This meant that my plans to go to Biwako were put back a day when I eventually went to the largest lake in Japan. In Otsu, the sakura around Mii-dera were in full bloom and the best I have seen on the trip. From there, I took the train north, halfway up the lake, to Kitakomatsu with promise of a beach there. There was a beach there, about 10 metres of beach, though the water was nice there.

Mii-dera

Biwako
The staff at Yoshimizu were awesome, though there seemed to be just two young blokes and a girl working there. Discovering I knew some Japanese, they enjoyed yacking at me every night about the films of Kurosawa and Ozu, and bizarrely Ibiza and RyanAir. They also discussed their love of Miyajima near Hiroshima, which luckily, I was heading to next.


Heading further west, I moved to Hiroshima, the main reason being to go to Miyajima to see the ‘Floating Tori’. I spent much of my time in the city going for runs in the heat along one of the many rivers there, as well as visiting the Peace Memorial Park once again.

Miyajima
The weather when I went to Miyajima was good, though unfortunately, I got there too late for high tide, and so lost a lot of the ‘floating’ aspect of the tori. There was, however, a noh theatre display on in Itsumushima Shrine which I stopped and watched. Eating lunch surrounded by deer, I then got the boat back to the mainland, the tide fully gone by that stage.


Changing trains at Kokura, I briefly went over to Kyushu, before heading straight back to Honshu and the city of Shimonoseki. No idea why I went here really. There is little there to speak of and no real tourist trade, though it did break up the journey to Nagasaki and offered a potential couple of days to rest before journeying more permanently to Kyushu.

Yume Tower
The highlights of the city include the Yume Tower, which offers a scaled-down panorama a la Hong Kong  of the natural harbour between the two islands; and the Kanmon Tunnel, which offers pedestrians a 78metre walk under the sea to Kyushu, meaning that I had been there for a second time in two days. The tunnel is an eerie place, unclean and unkempt, with sounds that are less than comforting when walking below the sea. Also, Shimonoseki is the one place so far were it hasn’t rai…Oh wait a minute…

Kanmon Tunnel

Kanmon Tunnel
Shimonoseki seemed a little different from the other places I have been to. It has less of a 24-hour feel to it, with many of the bright lights turned off early in the night unlike in larger cities. Also, there are a few European-style buildings dotted about the city to add to this. If it reminded me of anywhere, it was Newcastle: the harbour and Kanmon Bridge acting like the river and bridge bearing the name Tyne. Only difference being, I could understand some of what people in Shimonoseki said…

Thursday, 19 April 2012

Kagami - Super Electronic Dub Mix (Daikei)

First video from photos from my trip round Japan. Track called Kagami (mirror) by some dude named Daikei. Picked it up at Banana Records in Nagoya on a punt as liked the cover and was cheap. Paid off. Photos from in and around Kyoto in April...