Monday, 14 January 2013

Jiro Dreams of Sushi

In the UK, if you’re a half decent chef the pattern to follow is: get a bit good at cooking, open your own restaurant, get your own TV show, open your own range of Sainsbury’s couscous, get caught shop lifting. It’s all become a bit boring and predictable now, with famous chefs becoming bigger television personalities and businessmen rather than ding what their supposed skill is: making bloody good beans on toast.

This is not the case with Ono Jiro, a sushi chef working out of a small bar in Ginza, Tokyo. As with many restaurants in Tokyo, that sit in the basements of building complexes or Metro stations, Jiro’s restaurant, Sukiyabashi Jiro, looks small and underwhelming from the outside. But with three Michelin stars to its name and worldwide fame among the world’s top chefs, this is an exclusive restaurant where only the most fat and/or annoying can dine.


David Gelb’s documentary is one without narrative or particular linear structure. The focus is more on interviews with the man himself and his wider team about their relationship and the fine details that go into the set up. After 75 years in the sushi game, the mentality comes across as keep it simple and stay on top of each and every fine detail. So far, only one other restaurant has been opened: by his younger son in another Tokyo district.

Staying in control is Jiro’s main aim, wanting to still be able to determine what happens in his restaurant each day, rather than relying on others to take charge. Indeed, the most interesting part of the documentary is his relationship with his elder son, Yoshikazu, who by tradition will take over the restaurant when his father is no longer able.


With his father 85 at the time of the filming, Yoshikazu is starting to take greater responsibility for the restaurant under the watchful eye of his father; an eye that makes both chefs and diners nervous.

With his age and masterful nature, Jiro is able to spout various words of wisdom, showing a man that, as Craig Charles will slightly offensively put, is a a ‘happy, slappy, Jappy chappy.’ Complete with various money-shots of freshly prepared sushi throughout, the film, much like the eating experience at Sukiyabashi Jiro is made out to be, is a short but enlightening one. 

Tuesday, 8 January 2013

The Quartet

This probably isn’t a film that I would typically go and see – it’s not really aimed at me. I, therefore, decided to watch it in Brixton to add some credibility. Essentially, a cast of British ageing British stars have been brought together to be told what to do by an ageing American star in Dustin Hoffman. Cue hilariousness with jokes about being old.

That’s probably a bit harsh, with this more a piece about fear of losing gifts when growing old, a bit like being part of QPR’s squad. Identified at the end for their talents, much of the wider cast are stars of the stage from yesteryear showcasing their talents in a retirement home for elderly musicians.

The titular quartet are star opera singers famed for their foursome that have grown apart by failed marriage and senility. With the fourth member finally being old enough to make residence, the four are reunited and everyone suggests that they should perform at the ‘big show’ which obviously isn’t anywhere near as big as what they would have done in the past. Overcoming their past differences and fears, the four take the stage to have the film end before we realise that Billy Connolly isn’t actually a master opera performer after all.


The addition of Billy Connolly is a wise one, however, as the film is just a bit too twee without him. The film is not particularly long, but seems to drag on a bit, possibly due to the lack of any real event and not too much depth into each of the characters. Connolly provides the comic relief which is welcome, but other than that it’s just a bit too nice. Even the resident doctor, played a bit too emotionally by Sheridan Smith, is nice, with not an abusive word nor demeaning act forced upon the olds. Where’s the fun, or reality, in that?  

Saturday, 29 December 2012

Lights (Adapted AKA Sein)

New TouYube video about stuff and that. Being that my video of Joe Hisaishi's Kusare Umi Nite got shut down, I decided to re-use the same images from Hong Kong for 'Lights' by some chap named Adapted AKA Sein. It's another one off the old 'Raw Material' album that doesn't really seem to exist that I picked up in Nagoya.


Tuesday, 11 December 2012

Every 14 Days...(14)

The Beautiful and the Grotesque (Akutagawa Ryunosuke)

Japanese literary legend Akutagawa is a writer I’ve come across more from film adaptations than actually reading his work. I have polished off a few of his shorts (boom boom) in the past, most notably ‘Rashomon’ and ‘In a Grove’, but with ‘The Beautiful and the Grotesque’ I have more than doubled the number of his works that I have consumed.

A mix of weird and wonderful, the collection is started by a rather intriguing, if not overly long and bemusing, introduction by translator, John McVittie, which sets the collection in  a strange context. Typically well written, the collection is full of interesting life lessons in short story format that chiefly inform, educate and entertain.

But while each story has its own place, reading endless back-to-back new stories can leave some flying passed with barely a word being taken in. while some show why so much has been put on his talents, others I can barely remember, and so may have to be read another day…if I can be arsed.

Days to read: 22
Days per book: 14.3


Blind Willow, Sleeping Woman (Murakami Haruki)

From one legend of Japanese writing to a more modern day equivalent – though not so much in his motherland. And another long collection of short stories – will I ever learn?! With an introduction by the author himself, the collection is both old and new, with some of his very first short stories previously unreleased in English combined with some newer works.

Like in previous anthologies of his that I’d read, some of the shorts were turned into full novels and so some of what was read was familiar, and the inclusion of ‘Tony Takitani’, made into an excellent film, I was often aware of the end results.

The stories here all have something in common: being rather strange. As with much of his work, there has to be a sense of accepting the incredible and once that’s done, they can be enjoyed. There are hits and misses here, but overall entertaining.

This now marks my completion of all Murakami’s work translated into English and available in the UK, so someone needs to either translate his earlier stuff of he needs to write some more.

It was also while reading this book that my ‘Every 14 Days’ experiment shot to fame via Richard Herring’s ‘Warming Up’ blog. Read here and listen there. 50 books read in 716 days, falling just short of my target two years in to this failed experiment and counting…

Days to read: 16
Days per book: 14.3


I Can Make You Hate (Charlie Brooker)

The latest in the line of the father Konnie Huq’s son’s columns from ‘The Guardian’ and more of the same. With the death of his ‘Screen Burn’ column part way through the time period, some scripts from his television shows have been thrown in for fun. However, as these are items done using cutaways and video clips, they are not always as effective in print and so could have been left out at little detriment to the overall collection.

The removal of ‘Screen Burn’ means that there are less ‘Big Brother’ obsessed moments and more of a range of topics to entertain while your anus is expanded as you evacuate your bowels.

Days to read: 11
Days per book: 14.2


Back Story (David Mitchell)

Sex, drugs and rock n roll. This is neither the time nor the place.

It’s fair to say that David Mitchell hasn’t exactly lived a wild and crazy existence up until now. Despite obviously having the interesting aspect of a career in television comedy to comment on, his life outside of work could be described as quite unremarkable: He went to a minor public school, then was chairman of Footlights at Cambridge before taking the leap to work low level jobs in London while trying to fulfil the ambition of a career in the media that many fail to achieve.

While he’d certainly be the most interesting of your friends and one to definitely include on the invites to a dinner party, he has little of a love life in which to speak of and the only real scandal surrounding him is that he isn’t as similar to Mark Corrigan in real life as one might have originally thought. And that’s what makes this a more interesting autobiography than many.

Keeping in line with a lack of any shocking life events of which to speak, the memoir is based around the fact that after suffering from a bad back, he was encouraged to take walks to improve his physical state. Staring off in his home in Kilburn, Mitchell makes his way through the London streets, ending at Television Centre, Wood Green. Along the journey, various landmarks recall a chronological account of the various stages of his life. Maybe not completely original in chronological and metaphorical recounting, but nice nonetheless.

What it lacks in shock value it makes up for in pure pedantry in his trademark logical manner. It’s an honest account – particularly regarding his recent engagement – and provides insight into his opinions on how television works and why most of it is lacking. And if reading at Waterloo Station, a fat woman might say ‘good choice’ to you.

Days to read: 19
Days per book: 14.3

Wednesday, 5 December 2012

Politic 19

Sounds and noises at said locationsssssssssssss...

Subway Theme - Grand Wizard Theodore
Feel The Void - Fat Jon
Here Come The Dix - The Dix
Read Days  - Madlib
75 Bars (Black's Reconstruction)
Blessing Dance - Nomak
Battery - Aesop Rock
Basic Cable - Aesop Rock
Episode XXIV - Madlib
Tee Fall - Blake Leyh
Cock Mobster - MC Paul Barman
Eyes - Fat Jon
Skippin Stonze - Baby Elephant
Allegro Instrumental - Michita
Innocent Leader - El-P
Anarchist Bookstore, Pt. 1 - MC Paul Barman
100% Dundee - The Roots
The Racist - Boogie Down Productions 
What You Want This Time? - Gang Starr
Give The People (Jeep Remix) - EPMD
No Omega - Eric B & Rakim
Turn My Teeth Up! - Baby Elephant

Monday, 12 November 2012

London Korean Film Festival 2012

Recently, Korea has been put on the map – in a pop culture-sense, of course; Korea has been on the map in a cartography-sense now for some millennia – by a tubby man jumping around like an idiot. But no, not that one with the huge DVD collection and very good golf handicap; but by one demonstrating his favoured sexual position in the medium of dance.

So, now everyone loves everything Korean, let’s have a film festival. The annual London Korean Film Festival is now in its seventh year and is great as you get a free man-bag with every viewing. I’ve been to the festival in previous years – unable to recall what I saw – and again this year went to some of the one-off screenings at various cinemas around London in what is quite an extensive bill put on by the Korean Cultural Centre this outing.

Starting off with some K-animation, I saw ‘The King of Pigs’: a film with the character design of Bevis and Butthead and the animation of Thunderbirds. At their school, Jong-suk and Kyung-min were subject of a hierarchical system that keeps them with the lowest of the low, while those up high keep tormenting them on a daily basis. Around two decades later, the pair of school friends meet up for the first time in years to discuss their old classmate Chul who had stood up for the pair all those years ago. Fighting back, the enraged Chul wants to ensure that those in power will not look back on their school days with fond memories.


As stated, there is something very Mike Judge about the look and feel of the characters, though this isn’t necessarily a bad thing. Also, the digital animation tries to create realistic actions in the characters, but instead leaves them bouncing along like odd puppets on a string. This creates some laughs to start, but quickly fades into the background as the film progresses.

There is little original in the storyline: films reminiscing over life-defining moments at school are common place and the characters are quite typical of bullying drama. But the ‘King od Pigs’, by director is Yeun Sang-ho is an entertaining enough social commentary about the haves and the have-nots and the places it leads us. Though do ignore the last line of the film – a meal should end with cheese, not a piece of art.

Next up and finally is ‘As One, Korea’, the story of the 1991 World Table Tennis Championship in which North and South Korea set aside their differences for a game of table tennis. Tired of always losing to those pesky Chinese, the two nations decide to make a once-in-a-generation decision to reunite the two countries divided by the 38th Parallel.

Cue an opening half hour of cultural differences with hilarious consequences, leaving the actresses lumped with playing the roles of our friends in the North to have less fashionable haircuts, including everybody’s favourite electrocuted-until-she-pisses-herself actress, Bae Doo-na. Starting off as a comedy depicting the straight-edge and regimented North having to stand beside their wilder, Southern cousins, it then turns into a sports film, complete with musical montages as the two groups of players learn to get along and start winning some table tennis matches. Then, of course, the politics in thrown in with the North Korean players scolded for their drinking of alcohol and reading of jazz pamphlets, before it all gets a little bit too sentimental towards the end.


How much of all this actually took place, I don’t know. The end result did actually occur, though (spoiler alert!) France finished with the bronze medal, not Britain, as the film suggests (this is the LONDON Korean Film Festival, after all), though the story of how we got there is no doubt exaggerated in places. Though the unification of nations for sporting reasons will naturally bring with it dispute – imagine if England, Wales, Scotland and Northern Ireland decided to unify for a football team at say, the Olympic Games. The result would be disastrous.  

But politics and reality aside, ‘As One, Korea’ is a good and entertaining film that – sentimentality aside – doesn’t get bogged down too much in one focus, and is for all to enjoy, Capitalists and Communists alike…though probably not the Communists.


Happy with my free bag, other commitments meant I did not get to see anywhere near as many of the films as I would have liked, though with around thirty films shown in little over a week, I’d be mad to want to sit in a darkened room that much.