Found in the British Heart Foundation, Balham.
The Flying Pickets' 'Only You'. Christmas Number 1 the year I was born and the closing theme from Wong Kar-wai's 'Fallen Angels', a key film in getting me into Asian cinema.
Liszt's 'Hungarian Fantasy'. What I am to my Hungarian wife...Don't care for Chopin.
Not bad for £1.50...
Sunday, 22 January 2017
Thursday, 19 January 2017
19 Photos of Japan that I done took...
What follows here be some photos that I have clicked using my fingers of that there Japanese land.
Favourites, some might say...if I could genuinely be arsed to look through each and every one that I have done took...
Tsutenkaku, Osaka. 15/09/2008.
Battery power failing, I resorted to below standard camera phone usage for this rather cinematic effect.
Konbini, Yotsuya, Tokyo. 12/03/2011.
After the quake...I can't remember the exact one.
Yoyogi Park, Tokyo. 08/04/2012.
Hanami...with dogs.
Nagoyajo, Nagoya. 11/04/2012.
Cherry blossoms mit rain. It's like something from 'Hana-bi' or such. How romantic?!
Fushimi Inari-Taisha, Kyoto. 13/04/2012.
A photo I very much got right.
Gion, Kyoto. 14/04/2012.
Raise the red lantern...and have a beer.
A Bomb Dome, Hiroshima. 16/04/2012.
Kawaguchi-ko. 07/05/2012.
Fuji-san at dawn.
Hataagebenzaitensha, Kamakura. 12/05/2012.
Raise your flag.
Yokohama International Port Terminal, Yokohama. 12/05/2012.
Anglely...and moody...like a desk lamp...
Ajinomoto Stadium, Tokyo. 13/05/2012.
Tokyo Verdy 0 - 1 Fagiano Okayama. Boo...
Noshappu Cape, Wakkanai. 30/05/2012.
Vintage. Very, very vintage.
Cape Soya, Wakkanai. 31/05/2012.
She left.
Daisetsuzan, Asahikawa. 02/06/2012.
Obligatory holiday tour group photo.
Parent-Child Tree, Biei. 03/06/2012.
Self-explanatory.
Kabira Bay, Ishigaki. 18/05/2015.
One of many photos I have of random Japanese men fishing...it's my thing...I sleep with the fishes...
Taketomijima. 19/05/2015.
Riding a bike is quicker than walking.
Izakaya, Osaka. 21/05/2015.
Izakaya-style...Tinned sardines, please.
Daimon Gate, Koyasan. 22/05/2015.
Big, in'it?!
Favourites, some might say...if I could genuinely be arsed to look through each and every one that I have done took...
Tsutenkaku, Osaka. 15/09/2008.
Battery power failing, I resorted to below standard camera phone usage for this rather cinematic effect.
Konbini, Yotsuya, Tokyo. 12/03/2011.
After the quake...I can't remember the exact one.
Yoyogi Park, Tokyo. 08/04/2012.
Hanami...with dogs.
Nagoyajo, Nagoya. 11/04/2012.
Cherry blossoms mit rain. It's like something from 'Hana-bi' or such. How romantic?!
Fushimi Inari-Taisha, Kyoto. 13/04/2012.
A photo I very much got right.
Gion, Kyoto. 14/04/2012.
Raise the red lantern...and have a beer.
A Bomb Dome, Hiroshima. 16/04/2012.
Kawaguchi-ko. 07/05/2012.
Fuji-san at dawn.
Hataagebenzaitensha, Kamakura. 12/05/2012.
Raise your flag.
Yokohama International Port Terminal, Yokohama. 12/05/2012.
Anglely...and moody...like a desk lamp...
Ajinomoto Stadium, Tokyo. 13/05/2012.
Tokyo Verdy 0 - 1 Fagiano Okayama. Boo...
Noshappu Cape, Wakkanai. 30/05/2012.
Vintage. Very, very vintage.
Cape Soya, Wakkanai. 31/05/2012.
She left.
Daisetsuzan, Asahikawa. 02/06/2012.
Obligatory holiday tour group photo.
Parent-Child Tree, Biei. 03/06/2012.
Self-explanatory.
Kabira Bay, Ishigaki. 18/05/2015.
One of many photos I have of random Japanese men fishing...it's my thing...I sleep with the fishes...
Taketomijima. 19/05/2015.
Riding a bike is quicker than walking.
Izakaya, Osaka. 21/05/2015.
Izakaya-style...Tinned sardines, please.
Daimon Gate, Koyasan. 22/05/2015.
Big, in'it?!
Monday, 9 January 2017
New Kakato
Couple of nice new Kakato sounds.
Those dudes 環ROY and 鎮座DOPENESS make noises again...sometimes with super-friend U-zhaan.
Hear me now...
デザインあ ('Design'...or something)
七曜日 ('7 Weekdays'...or something)
Those dudes 環ROY and 鎮座DOPENESS make noises again...sometimes with super-friend U-zhaan.
Hear me now...
デザインあ ('Design'...or something)
Wednesday, 4 January 2017
Cromartie High School
'Measured by the standards of modern civilization, they would
be like a boy of twelve as compared with our development of 45 years.'
- Douglas MacArthur
Well, that's one interpretation of
the Japanese psyche from a Western perspective. Though one not entirely
unshared by the Japanese themselves.
The concept of
'immaturity' is one that is often seen in various aspects of Japanese culture,
with 'kawaii' mascots for everything, the nature of relationships and extensive
use of high school imagery in popular culture. One area of Japanese culture
where you'll regularly find all three of these examples is in manga and anime.
'Cromartie High School'
is a new millennium manga-turned-anime that unashamedly presents itself as a
parody of typical high school manga/anime, embracing the hyperbolic delinquent
nature of its characters and scenarios; and in doing so takes an ironic look at
the immature nature of many series.
Takashi Kamiyama is a
new student at Cromartie High School, a fact that he states at the start of
each episode of the anime. A seemingly ordinary and weedy student, it is
strange that he has transferred to the all boys' school of delinquent fighters
that is Cromartie. The other students also notice this fact and foolishly
believe that this new student is the toughest kid in the school, as why else
would he transfer there?! What follows is a serialised string of repetitive jokes
and scenarios across twenty-six mini episodes, as the students of Cromartie and
their rival schools come to terms with reality.
All the characters in
Cromartie are sixteen years of age, not that their appearance would suggest it.
When each first appears on screen each episode, their name and age is shown, as
if to remind you that these are just teenagers. Their older, 'tough guy' looks
suggest serious and violent storylines, however, all storylines are
magnificently infantile. The parody is clear: with so much manga and anime
using juvenile characters to tackle overwhelmingly serious situations, here seemingly
mature and violent types deal with the trivial, mundane and immature.
These are 'teenagers'
dealing with everyday, trivial dilemmas, that aren't exactly life-threatening,
despite how the characters may describe them. This role reversal from typical
manga and anime add a surrealist comedy element and paradoxically make it a
more mature viewing experience.
These dilemmas include resident
tough guy Yutaka Takenouchi finding himself in
various scenarios where his travel sickness is exposed; rival school leader Noboru
Yamanouchi fretting over finding the perfect joke to send into radio
shows to be read out; and the delightfully obscure episode where Hayashida
hears Mechazawa humming a tune, but can't recall which song it is from, leading
to an endless struggle for the entire school to name that tune.
The character Mechazawa himself is a further example of the
surreal comedy: a robot, but no one wants to say it out loud, and so everyone
just gets on with this obscurity. The class also includes a silent Freddie
Mercury and a gorilla. There are also references to various music and films
throughout as well, the manga and DVD covers parodying various famous images,
namely those of Queen.
Stylistically, the anime is quite budget. There is very
little in the way of actual animation; the characters often speaking in front
of blank backgrounds and repetitive shots used. The short length of episodes
also suggest a limited budget. All this makes it feel like watching a manga,
with the focus very much on content over style, further suggesting Cromartie as
a more mature manga/anime.
The truth is there is a lot of underlying immaturity in manga and anime, and the humour of 'Cromartie High School' is very much immature in nature. Though here it is done ironically, parodying the serious scenarios the school children of other series face. With Cromartie, immaturity is something to be embraced.
Tuesday, 3 January 2017
Vegalta: Soccer, Tsunami and the Hope of a Nation
On 5th March, 2011, I was in Osaka to watch Gamba Osaka kick-off the
2011 J League season against local rivals Cerezo Osaka. Six days after the home
side's 2-1 win, the Tohoku Earthquake struck, delaying the season for a month.
Gamba went on the finish third that season, followed in fourth by Vegalta
Sendai, a relatively recent addition to the J League Division 1 surprising against
the odds: The team from the region most impacted by the resulting tsunami.
Douglas Hurcombe and Geoff Trodd's documentary tells the story of the
team rising from recently promoted no-hopers to league runners-up the following
2012 season, naturally serving as a metaphor for the people of the local community
overcoming natural disaster to rebuild their lives.
This story is split into three parts: To start, the story of the
earthquake and tsunami themselves, with interviews from local Vegalta fans that
had their lives torn apart by the disaster. Secondly, the focus shifts to the
re-start of the J League season in the aftermath, with Vegalta's away trip to Kawasaki
Frontale their first match. Going a goal down, the Vegalta side, backed by
their emotional fans complete a fairy-tale comeback to win 2-1 in the final
minutes. The concluding part looks at the 2012 season, the Vegalta players and
fans having played their part in helping to rebuild the community, raising
money and going out to various towns and villages in the area. Though perhaps
their biggest contribution to the community was building on the club's most
successful campaign of 2011 to go one step further, nearly taking the title
itself.
Much is made of the Tohoku people's stoic, 'country-bumpkin' mentality
and how this benefited them in the aftermath of the disaster. Indeed, the fans
interviewed who had family members and friends killed show a coming to terms
with what happened, emphasised by their desire for the Frontale game to go
ahead, fans turning up in their thousands only weeks after their homes were
destroyed; and the emotional season-closing message from the then manager,
Makoto Teguramori.
A relatively low-key documentary by a British-based group, this recalls
Neil Cantwell and Tim Grabham's 'KanZeOn', a documentary about traditional
Japanese music. Focusing largely on interviews with the fans, players and
manager involved, and Gary Lineker, it keeps things relatively simple and
doesn't force sentimentality on what is an emotive subject. Any emotion intended
is from a largely punk soundtrack, to reflect the more boisterous aspects of Japanese
football fan culture.
Up until 1992 when the J League formed, football teams, very much like
baseball teams in Japan, were owned by companies. The formation of the
professional J League was to eliminate this corporate association, with teams
to be named after their location and form a bond with the local community. Enthusiasm,
as Gary Lineker testifies to, was big among fans.
Vegalta Sendai, founded in 1988 as the Tohoku Electric Power Co. Soccer
Club, were part of a J League expansion, switching to the professional league in
Division 2 in 1999 under their current name. However, due to limited success,
the team struggled to gain any great affinity with the local community. Though
being established in Division 1 from 2010 onwards and the 2011 earthquake
created this bond, with the Vegalta success giving the community a distraction,
an inspiration and a wider sense of community.
The complete fairy tale ending would be that Vegalta would have won the
2012 season, around only eighteen months since the disaster itself. Though this
was not to be, Sanfrecce Hiroshima taking that honour. Though, unlike the
Leicester City story (Gary Lineker's interview clearly done before last
season's victory), their failure makes the story more human, and puts the perspective
back onto the community itself and how far they had been able to come in such a
short period of time.
Monday, 2 January 2017
Every 14 Days...(35)
Golazo! (Andreas Campomar)
No, not the title music from Channel 4's 1990s 'Football Italia' -
well, maybe - but the story of football in Latin America (it's was £3.99 and I
needed a book to read). Andreas Campomar is a man, supposedly the
great-grand-nephew of Enrique
Buero, the Uruguayan who convinced Jules Rimet to hold the first World Cup
there so they could win it.
Starting from
the points of origin in the Nineteenth Century, it goes on to chart the rise of
The Beautiful in each of the South America's nations, and Mexico, and how each
adopted it in their own way, right up to the point when Messi couldn't look
more disappointed to win the Golden Ball in Brazil.
This is
pretty standard stuff. From reading this rather long book, you will learn a
fair few results of early South American football matches; how some Scottish
and Hungarian men had some influences in the development of the game; and that
Campomar doesn't particularly care for the English game (i.e. the English and
how they play football - Oi!).
This has its
moments, but overall, it's a little long and repetitive, a bit like the last
few World Cup finals.
Days to read: 25
Days per book: 15.1
Nomad (Alan Partridge*)
'This certainly is a book that has
been written...' ('Homes Under the Hammer' House-valuiser, Dion Dublin)
I, Alan Partridge, am a fraud. Over close to three decades, I have made
a concerted, and indeed correct, effort to present myself, Alan Partridge, as a
pillar of this modern-day society. By carefully constructing my outward persona
as a Daily Mail-reading, un-show-offy-priced-superior-car-driving, sports
casual-wearing man you can trust, I have established an above-average career in
media broadcasting, free from any questioning by local authorities.
But this, I can now confirm, is hodgepotch! For I, Alan Partridge, am a
rouge, a maverick...a nomad.
Having recently de-cluttered some loft space to make room for my
Bodymax B2 Indoor Cycle Exercise Bike with LCD monitor, I unearthed a treasure
map made by my father. Quickly discovering that any treasure associated with
this map was metaphorical, I realised that this was indeed a plotting of my
father's route from my childhood home to his failed job interview at Dungeness
Nuclear Power Station. Recalling this as a brave and pivotal moment in my
father's life, my 'nomad' side felt compelled to recreate his journey.
But no, not in the automotive mode of transport my old-fashioned father
took. I, Alan Partridge, choose to use my automated feet, not so much following
in the footsteps of my father, but rather treading on his tread marks, with
nothing more than what FedEx can courier to the next B'n'B on my route.
What follows is a whirlwind tour from the Carphone Warehouse, Norwich
(site of my childhood home) to the Romney Marsh of Kent. There are moments,
revelations, and countless opportunities for format ideas, the likes of which Noel
Edmonds can only dream of, as I embark on a once in a lifetime journey.
'As a person known for having
such low standards, I was mildly impressed!' (Keren 'Bananarama' Woodward)
*Once
again, I wish to pledge that, contrary to controversial e-rumours on the world
wide website, Steve Coogan, Rob Gibbons and Neil Gibbons (whoever they are!)
wrote not a jot of this mini-masterpiece. Every ruddy word was written by me,
Alan Partridge.
Days to read: 12
Days per book: 15.1
The Door (Magda
Szabó)
This book is
a bit of a reverse shit sandwich, in that it starts a bit shit, it then gets
better, but then goes back to being a bit shit again by the end.
A young
writer, seemingly an autobiographical version of Szabó herself, moves into a
new flat in Budapest with her academic husband. The residency is managed by the
elderly Emerence, a bit of a twat-bitch in all fairness. It's fair to say the
trio don't really get along when Emerence takes on the additional role of
looking after the young couple's flat for them as well. Over time, the two
females grow accustomed to each other and accept each other's idiosyncrasies, however
much they still appear to despise each other.
To start,
this all feels a bit sentimental and 'tragic lives' and I was none too
impressed. But, sticking with it, things improved as the two grow to learn
about each other's lives in more detail, trying to understand the other's perspective.
However, the building-to-the-inevitable end is a little annoying, as the pair
fail to fully understand each other, as you fail to understand either of them
at all.
The two lead
characters are poor, neither in the slightest bit likeable, even for a person
from Watford. Putting the two one side for a moment though, the dynamic between
them developing as each comes to terms with the other is worthy of some merit. Though
by the end, you suddenly remember that you have no time for either character: the
young writer a spoilt brat that would fail to wipe her own arse with something
she had written; and the elderly woman one to stubborn, cold and
set-in-her-ways (with pride) to have any interest in trying to form any sort of
meaningful interest in.
Maybe I'm
being an old-fashioned, bigoted man, too set-in-my-ways to understand either
character fully. But for a character-driven piece, what could have been decent
is ultimately let down by personalities that, well, just leave a bit of a taste
of shit in your mouth.
Days to read:
14 (woohoo!)
Days per
book: 15.1
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